Wet plate collodion photography seems to be having a bit of a revival these days, and I have a number of friends working with that media. I’ve tried it, taking a workshop from Alan Barnes, and there’s a lot of skill required. Beyond getting good chemistry, there’s an art to the pouring and exposure that can only be mastered by few. It’s rare to see a complete plate without flaws, and getting good dynamic range is hard. That’s why I was so stunned when I first saw the still life work by Roger Fenton. He captured his still life images on Collodion plate and made albumen prints.